Good Good Golf Ad Crisis: A Textbook Case of What Should Never Air
- Greg Salsburg

- Aug 28
- 3 min read

It takes a lifetime to build a reputation and seconds to lose it!
There is a chasm between a campaign that simply underperforms and a campaign that should never have existed due to egregious incompetence.
The Good Good Golf ad crisis over its co-branded Callaway driver was the second kind. So, off the mark, the company with a seemingly unstoppable meteoric rise may become the most famous cautionary tale.
The "brilliant" advertisement has a co-founder charging a female colleague at full speed, drilling a forearm into her back, football tackle style, knocking her on the ground, standing aggressively over her, and delivering a line that lands as nothing other than a threat: "Do not touch my new driver." The company later said it was a parody of a horror film. That horror film should be entitled "The Day Good-Good Died!"
The audience only saw one thing: an oversized, overbearing, and overreacting man lunge and physically assault a woman to sell a golf club. Everything that followed: the partner fallout (Callaway Golf cancels partnerships. Dick's Sporting Goods removes all company athletic wear, Golf Galaxy does the same, and the PGA Tour cancels sponsorship opportunities, and this is just the beginning), the delayed personal apology, the generic values language, was downstream of a decision that never should have been made, never should have been cast with a founder, and never should have cleared any adult in the building.
What were they thinking? That is not a creative miss. That is a concept that should have NEVER seen the light of day, and when it was pitched, those involved should have been warned or fired for breaching company ethics.
Crisis work starts earlier than most executives think. It starts at the idea stage. Before cameras. Before the edit. Before legal. Before a partner logo goes on the lockup. Someone in a room said: We will sell a driver by having a man physically dominate a woman over a piece of equipment. Someone else said yes. Then they shot it. Then they posted it.
You do not need a focus group to know what that looks like when it leaves the room. Stakeholders of a company need a voice that is unfettered, unafraid, and unabashed to deliver the messages that need to be told. They need a consigliere consultant!
There is a reason serious brands do not use simulated violence against women as a punchline, even when they think they are winking at a movie. The image is older, cheaper, and more loaded than any skit. It borrows the visual grammar of assault and asks the viewer to treat it as banter. That is not edgy. It is lazy. And it is reckless for a company that spent years telling the industry it exists to make golf more inclusive.
"We're sorry it didn't land" is not an apology. It is a review of the audience. The audience was not the mistake. The ad was.
Speed without substance is not crisis communication. It is damage control theater. The first 24 hours are when you either put a human being on the record, name the specific harm, and accept the cost, or you teach the market that you will hide behind brand language until you are forced out of it.
Every woman who has been shoved, stood over, or told what she is not allowed to touch now has a golf brand's face attached to that image. You do not get to call that an advertisement that didn't land as intended.
Good Good's actual product was never a driver. It was trust with a younger audience, entrance, and permission from an older, established industry. Both are conditional. It's obvious that plenty of brands survive ugly ads. What they do not survive is the combination on display here: an idea that was indefensible on its face, a founder who performed it, a team who cleared it, and a first response that sounded like it was written for any controversy at all.
I will provide suggested remedies the company should enact immediately and going forward in a future post, but for now, it appears in one short news cycle, Good Good is
Bye Bye.


Comments